Yes, Anthony’s main appeal was his enjoyment of performing. It is true that he had an incredible command of technique and style, but his main attraction (as far as people were concerned) was the stage presentation; he simply loved to play! Now, there are plenty of other pianists in SG who could match his performing ability, but few could match his enjoyment of the instrument. When I was a piano performance major in the mid-1980s, the Kingmen released an LP titled “Mississippi Live”. Anthony and crew had an instumental where he played “When We All Get To Heaven” in 3 or 4 different musical styles. I bought that record down in Waycross GA at a big all-night singing that went on at time every summer. When I heard that track, I immediatly began to learn the piece myself by just simply playing that track over and over. Remember, this was before SG groups released CDs, so this involved a lot of pressing the “cue” button and backing the stylus needle up to the beginning of that piece! Finally had to by a new record player at the end of 1987. At that time I was enrolled at Emmanuel College in Franklin Springs GA. Also there was a guy named Peter Penrose and Regi Stone. Penrose later went on to be somewhat successful in CCM and Stone (who was the equivelent of Anthony on the piano, so much so that he was allowed to skip voice lessons in favor of 2 hour piano lessons. The other 3 performance majors, myself included, were required to take voice lessons) went on to become a name in Praise and Worship.