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”God makes everything happen at the right time.” (In His Time) Eccl. 3:11
Often we hear children say, "when I grow up, I want to be just like Dad or Mom". It may sound strange because here I am nearing 50 but if I every grow up I would like to be just like Monica.
If you are reading this and haven't purchased one of Monica's CD's then you are missing out! Buy one today and allow it to change your life. You can feel God touching your very soul.
Proud Father,
Hiram Stump
Your Friends,
Brothers Forever
This is one song that will bless you!
There is far more to Kirk then the subject matter of this interview.
I am not convinced this is a good interview. If you want to interview him, go to one of his concerts. That will tell you the story. Ask him questions about his ministry, etc etc.
To me it is like flogging a dead horse.
As the saying goes, those that are critical of others and for the things that they have done (condeming) likely have done or are quilty of the same thing themselves. (Something to think about and I could definitely add further comments on this subject).
I am very disappointed in those that are
supposed christians in the southern Gospel circuit who are doing this and it is a real turn off for me. And please do not give me the reasoning as
"audience appeal".
Kirk hit bottom a few years back. He has exposed his soul and, he has no where else to go but UP.
Thanks for being you Kirk and allowing God to work thru your ministry.
Monica has blessed many people with song and message.
Thanks Monica for following God's Calling.
love it when bass is low and tenor is high
Warner Brothers put out an album with the Oak Ridge Boys called "With Sounds of Nashville" in early 1963. I believe there were only 3 orchestrated songs on it - with strings only.
Almost immediately, The Couriers recorded "Nothing But the Gospel Truth" on May 28, 1963 (and it was released that Fall) - and it was the very first of its kind. 6 of the 12 songs were orchestrated, many with both strings and brass. With the 16 piece orchestra, this was the first Gospel album to have both strings and brass and have orchestrations on at least have of the songs. This album also came out on the Warner Brothers label.
The next known orchestrated album was "The Cathedral Quartet with Strings" which featured strings only on 6 of the 12 songs. It was recorded on the Heartwarming label in 1965.
Then, this was followed by "The Cathedrals with Brass", which featured brass only on 6 of the 12 songs. Again, this was on the Heartwarming label and was released in 1966.
All 4 of these are excellent albums. Since the 2 Cathedral albums have been reissued (I believe on vinyl years ago, as well as on CD), younger fans have not been aware of the Warner Brothers albums that have preceded them, and there has been much misinformation spread over the Internet and elsewhere that The Cathedral albums were the first. They clearly weren't.
So, The Couriers' Warner Brothers album was the first Gospel album featuring both strings and brass together on the same songs, and remained as the only such Gospel album for quite a few years before other albums emerged with this treatment.
There are several other interesting facts about this Courier album. Marvin Hughes played the piano, while Ben Speer played the bass and Brock Speer played the rhythm guitar. Their playing was integrated beautifully into the string and brass arrangements, as they fit into them seamlessly.
Also, the arranger for the strings and brass on this album went on several years later to become the main orchestral arranger for NBC's "The Dean Martin Show". So, he was then arranging weekly for the orchestras that were accompanying Dean, Frank Sinatra, Sammy Davis Jr and the other top performers who appeared on that show throughout the next decade or so.
One of the next major orchestrated albums was also a Courier album. The Couriers hired Jerry Nelson (who later founded the very popular "Clarion" sound track company that produced and supplied sound tracks for custom Gospel recordings for rental, as did "Rainbow", "Christian World" and other companies) to write the scores for 12 songs to be recorded by The Couriers. They flew Mr Nelson, at their expense, to London, where he recorded the specially-written scores with The London Symphony Orchestra at the special studio that was then constantly set-up and reserved for the symphony's exclusive use.
Jerry flew back to the states with the final mix tape from that studio, and The Couriers recorded their vocals to it.
This was possibly several firsts - or near-firsts. Up to that time (circa 1969), groups were just getting their feet wet recording albums with the instrumentation tracks (piano, bass, drums and guitars) having been recorded first - with the vocals added afterward. Prior to this time, the instrumental players played along with the singers in real time, as on the 4 afore-mentioned albums.
So, not only was this one of the first Gospel albums where the music tracks were totally recorded first before the vocals, but it was very probably the first Gospel album to use a full and complete orchestra, including strings, brass, woodwinds, harp, timpani, and percussion other than just drums.
Also, the complete orchestra played on all 12 songs - not just on half of the album, as before.
The album was called "Sweet and Shout'g Spirituals". Never heard of it? Here's why. It was a CUSTOM album - not a label album like the above-mentioned.
The Couriers designed, arranged and financed the entire project and, once it was expensed out, it was able to be re-ordered by them for just the manufacturing costs of the album and jacket itself - at a pittance of the cost of a group's purchasing copies of an album for resale from their label.
Our joy is that The Couriers have given us 3 of those legendary 12 London Symphony tracks as gifts over the years, and have allowed us to record our vocals on them. Harold Lane's great song "Thank You Lord for Blessings", which he told me personally is his favorite of all of the songs he has written, has now been recorded and released on our latest project with the London Symphony accompanying us.
These early orchestrated recordings - and the many excellent ones that have since followed - ratcheted Gospel Music up several notches, adding a new touch of class to our genre.
Orchestrated albums are now the norm, but they were once the exception, bringing a new wave of excitement to our music.
Cliff Cerce
The Cerces, PO Box 8525, Springfield, MO 65801
417-863-8440
http://www.thecerces.com
Much prayer and Blessings. Melissa
We pray for Larry and his family..Larry is such a great person God Bless his family with strength..Much prayer and concern...Blessings. Melissa
God is good all the time & all the time God is good.
Elaine Harcourt
Sincerely,
Steven Cheney
MWC
I bought their live album, produced in the late 70s, and the musicians they had influenced me greatly. As a steel guitar enthusiast, Johnny Cox's performance on that album was very inspirational. I can still hear that great music ringing in my ears!
Dottie's song writing collaboration with Gov. Jimmie Davis produced some of my favorite songs of all time. Again, as a musician, her songs were melodic and easily recognizable as instrumentals, a rarity these days.
Dottie's song, "I've Never Been This Homesick Before" moved many 1000s of people to think about eternity and is still one of her most requested songs. I heard 100s of folks, night after night, request that Mr. Bill Burns, of the Country Village Supper Club, sing that great song....with a rousing response every time! I had the awesome priviledge of playing steel there for 11 wonderful years, doing many of Dottie's songs.
Incidentally, the southern gospel quartet that I work with, The Providentials, just obtained mechanical licensing to record "I've Never Been This Homesick Before" for their upcoming album, "Can't Say Enough", to be released in June.
Mixed feelings......Ms. Dottie has gone thru so much adversity thru the years. I guess I would feel better if she hadn't died this way. But, the destination is the same either way. And, knowing Dottie, she wouldn't want to come back.
I miss her......but her music lives on....until the Lord comes......
Reggie Duncan ()
I bought their live album, produced in the late 70s, and the musicians they had influenced me greatly. As a steel guitar enthusiast, Johnny Cox's performance on that album was very inspirational. I can still hear that great music ringing in my ears!
Dottie's song writing collaboration with Gov. Jimmie Davis produced some of my favorite songs of all time. Again, as a musician, her songs were melodic and easily recognizable as instrumentals, a rarity these days.
Dottie's song, "I've Never Been This Homesick Before" moved many 1000s of people to think about eternity and is still one of her most requested songs. I heard 100s of folks, night after night, request that Mr. Bill Burns, of the Country Village Supper Club, sing that great song....with a rousing response every time! I had the awesome priviledge of playing steel there for 11 wonderful years, doing many of Dottie's songs.
Incidentally, the southern gospel quartet that I work with, The Providentials, just obtained mechanical licensing to record "I've Never Been This Homesick Before" for their upcoming album, "Can't Say Enough", to be released in June.
Mixed feelings......Ms. Dottie has gone thru so much adversity thru the years. I guess I would feel better if she hadn't died this way. But, the destination is the same either way. And, knowing Dottie, she wouldn't want to come back.
I miss her......but her music lives on....until the Lord comes......
Reggie Duncan
I bought their live album, produced in the late 70s, and the musicians they had influenced me greatly. As a steel guitar enthusiast, Johnny Cox's performance on that album was very inspirational. I can still hear that great music ringing in my ears!
Dottie's song writing collaboration with Gov. Jimmie Davis produced some of my favorite songs of all time. Again, as a musician, her songs were melodic and easily recognizable as instrumentals, a rarity these days.
Dottie's song, "I've Never Been This Homesick Before" moved many 1000s of people to think about eternity and is still one of her most requested songs. I heard 100s of folks, night after night, request that Mr. Bill Burns, of the Country Village Supper Club, sing that great song....with a rousing response every time! I had the awesome priviledge of playing steel there for 11 wonderful years, doing many of Dottie's songs.
Incidentally, the southern gospel quartet that I work with, The Providentials, just obtained mechanical licensing to record "I've Never Been This Homesick Before" for their upcoming album, "Can't Say Enough", to be released in June.
Mixed feelings......Ms. Dottie has gone thru so much adversity thru the years. I guess I would feel better if she hadn't died this way. But, the destination is the same either way. And, knowing Dottie, she wouldn't want to come back.
I miss her......but her music lives on....until the Lord comes......
Reggie Duncan
We are confident that Ms Dottie is "Shelterd in the Arms of God"...Amen!
PJ / The Prophets
Yes, She shall behold Him, face to face, her Savior and Lord.
The one album that immediately came to mind was the Goodmans' "Chosen".
For the first time, it included Tanya Goodman and Michael English. I think it was the only recording English made with the Goodmans.
It is out of print and unavailable- I have been trying to find a copy for years. I wore mine out. Rick Goodman has none.
It featured a song called "He Chose Me, I think written by Rusty, that was a superb song. And it was the first time Michael English recorded "I Bowed on My Knees and Cried Holy".
It may not meet all of your criteria...but was the finest album they ever made, I think...
At the risk of hijacking your thread, here's my additional case for Pillars.
Criteria:
#1 - I think you agree with me that this was a hugely popular album.
#2 - It may not have "changed" Gospel music (though in my case for #3, we may be able to say that it did), but it certainly had a major influence on SG artists afterwards. If you'll look at the "Youth In Gospel" columns from 93 on, you'll see many young artists list Pillars as one of their biggest influences/favorites. I wager you can find the same thing on bios of different groups websites. Also, if you were a non-SG person that stumbled across a SG radio station, and you heard current stuff from say BFA, the Dove Brothers, the Kingsmen, and then heard "If God Be For Us", for example, you wouldn't immediately know that it was a classic recording. Sonically and stylistically, Pillars has aged well, which is further evidence of its impact.
#3 and 4 - This is another place I feel that we differ. Maybe my view as a long time Gold City fan is skewed, but I believe you can draw a line at Pillars in Gold City's career. Maybe not so much in popularity, but musically yes. Remember that Pet Sounds was a commercial flop, at least by Beach Boys standards. Pillars had a polish and quality to its arrangements that were not seen previously on GC's albums. Sure there were signposts along the way, like the Windows Of Home CD and certain songs on Answer The Call, but there hadn't been an entire album that had the quality of arrangements and production that Pillars did. Stylistically, Pillars had a more progressive (at the time) or "uptown" feel than previous albums. This can partially be attributed to the maturation of Garry Jones as a producer, and the addition of Steve Lacey as baritone. Mike Lefevre was and is an excellent baritone, but Lacey's voice has a more polished sound, that fit the style of Pillars perfectly. This polished style would continue with Acappella Gold and even with Renewed, which addresses your 4th criteria, it definitely changed the musical direction that Gold City was going in. Maybe not as drastically as Pet Sounds did for the BB, but there were signs of that shift as well (Today, Summer Days). Gold City did experience another shift in musical direction soon after, when Garry Jones left and no longer produced their albums, but to me, Pillars showed a marked change in Gold City's career.
That was really long, but there is my take on Pillars.
Maybe, though, what we are really showing is the incredible quality of Pet Sounds and Pepper in that there doesn't exist a suitable comparison to those two albums even across genres.
She was wonderfully used of the Lord - and will be greatly missed. We are in prayer for her family and those still injured.
Cliff Cerce
The Cerces, PO Box 8525, Springfield, MO 65801
417-863-8440
http://www.thecerces.com
heaven's choir just got a whole lot better because Dottie is now teacihing angles how to sing.
God is good - all the time
All the time - God is good
Each afternoon I would go to the local florist and buy her a rose and some babies breath for her to wear in her hair during the evening performance.
She always wore the roses with grace and dignity and consistantly gave great performances.
Tho I am saddened at her leaving I know full well she is now enjoying the pleasures she so skillfully wrote about.
Today her back is straight again, her voice is bright and her guitar strumming has a stronger downbeat than ever before.
In all probability The Father met her at the gate with a heavenly rose and a hearty "Well done my good and faithful servant!"
Goodbye Ms.Dottie's.
Enjoy your new home.
Joyfully hum and strum, barefoot, forever, "Where The Roses Never Fade"
See ya in the morning Ms. Dottie
Your friend
Donnie
There are no words to describe the sadness I share with so many others that she is now gone from us, but Thank God we had her! No one in ANY field of music could put a song together, or touch more people with just one song than Dottie Rambo. Words and music as meaningful and beautiful as hers are a gift from God through people's souls and Dottie must have been his main vessel.
I grew up in Southern Gospel Music traveling with the Sego Brothers and Naomi and was privileged to work many shows with Dottie and "The Rambos". Dottie wrote the Gospel the way it's supposed to be. So incredibly encouraging and inspiring, never condescending, judgmental, or exclusionary. Her words and music literally saved my life more than one time, as I'm sure they did many others. "This Is My Valley", "Too Much To Gain To Lose", "In the Valley He Restoreth My Soul", "Sheltered In the Arms of God" and so many others have and always will be a part of my life and my strength when I feel I can't take another step. Dottie had a way of climbing back up from the bottom and through her songs showed others they not only could, but they MUST!
I can't help but be overwhelmed with sadness to know she is gone, but I rejoice in the knowledge that her trials are now over and SHE is safely "Sheltered In the Arms of God". Also that He gave us such a wonderful Lady with an amazing voice that surely touched more people in 74 years than any other human being that ever walked this Earth.
Earth's devastating loss is Heaven's gain.
"This house of flesh is but a prison
Bars of bone hold my soul
But the doors of clay are gonna burst wide open!
When the Angels set my spirit free!
I'll take my flight like the mighty eagle
When the Hills of Home start calling me..."
There will never be another songwriter now or in the future to ever surpass her and her special way of delivering songs will never be duplicated and it would be un-feasible for anyone to try!!.
My prayers will be with her remaining Family and may God's Peace be with them all through this difficult time....
to her eternal rest.She will be missed by all of us not only in the ministry but the fans as well.Our prayers are with her family and those that traveled with her,
But I am also happy. All of the suffering that she has endured ove4r all these decades, has finally come to an end. Now her back isn't a mess anymore. Now she's not in pain anymore. Now she's totally healed and totally whole!!!
She's now living what she has written and sung about for so long. She is now "BEHOLDING HIM"!
Thank you Lord for allowing Dottie to be such a wonderful witness for You on this earth. Your hand was truly on her.
Ken
Scott Lucas
Reaching People Where They Are
If you will live like no one else, later you can live like no one else!!!
”God makes everything happen at the right time.” (In His Time) Eccl. 3:11
area. Dottie had the most unique voice there has ever been in gospel music. It was great. My wife and I will sorely miss the great talent of this wonderful Lady of God. May God be with Reba and the family. We offer our prayers and condolences to the entire family.
Bill Baize
n
God is good all the time & all the time God is good.
Elaine Harcourt
We mourn the loss of this great treasure. We will all hold close the fond memories we all shared with Dottie both personally and through her wonderful music. Heaven is a brighter place today.
We love you Dottie! And we'll be praying for the family and Larry.
~ Jonathan
I never knew that the Inspirations wrote that song.
Warm Regards,
Jan Bissell
Acct Executive
Marriott Hotels, Bakersfield
661-889-9035 Direct
On Gold City, they are NOW Alabama-based, and have been for the last 20 years or so. My mistake was based on the fact that the quartet originally was based in Dahlonega, GA...which is called the "gold city" by people in that part of the country, hence the quartet's name!
But I'm aware that after Jerry Ritchie left the group, and the ownership passed into the hands of bass singer Tim Riley, the latter moved the group's base of operations to his hometown of Gadsden, AL...where I believe their offices remain today. Thanks for pointing that out.
But come on back and tell us why that "Black And White" should be considered for the kind of status I'm discussing here...please?:-)
Morning glory and evening grace,
Giving the world a smile each day,
john.sogospelnews.com
http://davykellyandodie.com/photoalbum/Riverdale, California/index.html
If Michael English hadn't left the Singing Americans when he did, I think their "Black and White" project would probably be the best modern example of what is being discussed.
John, Gold City is Alabama-based... not Georgia-based.
For the rest of you reading these, don't be shy...feel free to share your own "watershed" albums with me...that's what this thread is for.
And Wes, if you want to make a further case as to why "Pillars" ought to be among these albums, go for it! I want to read what you have to say.
This is all giving me plenty of food for thought...keep it coming!:-)
Morning glory and evening grace,
Giving the world a smile each day,
john.sogospelnews.com
Keep up the good work.
God Bless You
Mikal Cooper
JT
The Minister's Quartet
Jerry ‘JT’ Tinkle
Baritone singer for The Minister’s Quartet
http://www.ministersquartet.com
They were all live albums.
Three were by The Blackwood Brothers:
-The Blackwood Brothers In Cooncert
-The Blackwood Brother On Tour
-The Blackwood Brothers On Stage
Three were by The Statesmen:
-The Statemen On Stage
-Through the States with the Statesmen
-A Gospel Concert with The Statesmen
The seventh album was live highlights from the 1963 National Quartet Convention from Ellis Auditorium in Memphis.
-Groups featured on this album included The Blackwood Brothers, Statesmen, Speer Family, Oak Ridge Boys, Stamps Quartet and The Kingsmen. Two songs by each group - with talking by the group emcees and great crowd reaction.
For the first time, many heard the energy and spontaneity of the happenings of a live concert and their appetite was whetted to go to their very first live concert themselves.
I believe these recordings brought about a pivotal change to the Industry -as RCA Victor brought the concerts to the people.
Before then, the people could only go to the concerts.
These albums were followed by many great live albums by just about every top group - but these 7 are the ones that lit the spark that began to excite the masses.
Cliff Cerce
The Cerces, PO Box 8525, Springfield, MO 65801
417-863-8440
http://www.thecerces.com
They won a whole string of Fan Awards at that point in their career, but in the Symphony of Praise era actually won less to none for a few years (during the era Gold City was really hot.)



Cliff Cerce
The Cerces, PO Box 8525, Springfield, MO 65801
417-863-8440
http://www.thecerces.com