
Producers: Kimberly Allen and Debbie Allen
Website: http://www.one-heart-trio.com
Song Titles: “In The Presence Of Jehovah,” “Day By Day,” “O For A Thousand Tongues,” “He Giveth More Grace,” “Do You Know My Jesus,” “Be Still My Soul,” “Jesus Paid It All,” “There Is A Savior,” “My Wonderful Lord,” and “Near To The Heart Of God”
Aside from the involvement of Milton Smith , who provided orchestrations for Presence , this isn't a CD you'd typically expect to find reviewed on a Southern Gospel website. Kimberly Allen is a solo violinist, joined by her mother Debbie Allen on piano. Most (if not all) of the arrangements are taken from existing choral music books. I recognized the Marty Parks arrangement of “In The Presence Of Jehovah” immediately. It's found in a collection titled Praise and Worship Classics , published by Lillenas . Upon examining the liner notes, I found that Allen credited Parks for the arrangement. P opular choral arrangers like Mosie Lister , Dennis Allen , Tom Fettke , and Steven V. Taylor are a few of the sources listed for the arrangments on other track s .
My impression of Kimberly Allen's playing is that she is very competent with her instrument. She doesn't play anything jaw dropping like Mark O'Conner or Yo Yo Ma or even Wanda Vick , but she gets a nice singing tone from her instrument that's generally pleasant to the ear. I noticed a minor misstep here and there, but nothing significant that would make me not want to recommend a track. The only re al drawback in the project as a whole is a lack of variety. There's very little fluctuation in the tempos, and the orchestrations sound about the same throughout. Essentially, once you hear the first track, only the melodies change. A lmost a nything I could say about one track would apply to them all.
Debbie Allen has a smooth touch at the piano keyboard that doesn't compete with the solo violin. Milton Smith's orchestrations similarly accentuate the featured instrument. The song titles should be familiar to Southern Gospel fans, though they're more likely to hear them at church than a Southern Gospel concert. This project falls somewhere between “mood music” designed to be played in the background, and a full blown violin virtuoso project that demands you listen.
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