SG History 10130 Apr 2003
SG History 101 - Rangers Quartet
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For an added history lesson this month, I would like to encourage you all to visit the message boards and check the "Top 40 Bass Singers of All Time" countdown. Alan Kendall has done a fabulous job with his biographies of the "Top 40 Bass Singers of All Time" as voted by the fans of the SoGospelNews web site. Thanks, Alan, for a job well done!
During the Depression Era of the 1930's, Vernon Hyles, Arnold Hyles, George Hughes and Walter Leverette formed a quartet that soon became known as the Texas Rangers. Vernon sang lead and played the guitar. George Hughes was a fine tenor, and Walter Leverette was a very smooth baritone singer. The showcase of the group was "The World’s Lowest Basso Profundo" Arnold Hyles. Arnold’s voice was loud and rough. It made for a unique sounding quartet with a very heavy sound. The group drew large crowds and was soon commissioned as honorary Texas Rangers. They were also denoted as "Ambassadors of Good Will" for the state of Texas. After a few years of touring, the name was shortened to "The Rangers".
George Hughes left the group in 1938 and subsequently joined the Swanee River Boys. Denver Crumpler was hired to sing the tenor part, and the popularity of the group continued to grow. Denver took over the guitar playing and brought a clear Irish tenor voice to the group that became part of their trademark sound. Denver’s lyric tenor and Arnold Hyles’ bottomless bass were the anchors for one of the finest quartets in that era. Walter Leverette and Vernon Hyles were both excellent musicians with extraordinary ranges, and they complimented the outside parts quite nicely. The Rangers began to incorporate intricate harmonies and key changes in their music that many groups of that era could only dream about.
Around this time, the Rangers were responsible for many innovations in the gospel singing field. They signed a recording contract with Decca records in 1939 and recorded a number of songs for both Decca and Okeh with only Denver’s guitar as accompaniment. They were the first quartet to have a commercially sponsored gospel radio network program. The Rangers were also the first gospel quartet to become a full time group completely on their own. They did not supplement their income with side jobs or songbook sales. They were professional gospel music entertainers! Other groups soon followed the Rangers lead for the Rangers quickly found out that they could be more prosperous by associating themselves with radio stations that would allow them to book their own concerts and advertise their programs on the air. As was typical in that era, their programs featured a mixture of hymns, gospel, pop, and Western tunes.
While working in Atlanta, they recorded four songs for RCA Victor. WBT in Charlotte again asked the Rangers to rejoin their station, and in 1947, the Rangers again moved to Charlotte. Although Lee Roy says they "fired him" other accounts say that he didn’t want to leave the Atlanta area, so Hovie Lister left the Homeland Harmony Qt. to join the Rangers in Charlotte. During Hovie’s short tenure with the Rangers, they recorded four songs for Bullet Records, one being a solo by Hovie Lister. Hovie became the first member of the group to record a solo.
When Doy Ott left the quartet in May of 1949, David Reece, formerly with the Blue Ridge Quartet, became their pianist. On June 1, 1949, baritone Walter Leverette succumbed to a heart attack, and the Rangers were forced to make their first personnel change in vocalists in more than ten years. Ermon Slater from Sand Mountain, Alabama became the new baritone. Slater has previously sung with the Harmoneers. The Rangers soon moved to WPTF in Raleigh, NC. That particular group began their own "Record of the Month" club which they distributed under their own "Rangers" label. Tragedy again struck the Rangers in early 1951 when Arnold Hyles and Ermon Slater were involved in an automobile accident and were hit by a drunk driver. Slater was killed instantly, and Hyles was severely injured. Arnold was out of action for many months, as the doctors gave him little hope for survival.
After a long period of recuperation, Arnold Hyles began making selected appearances with the quartet singing a few songs, but he wasn’t up to full time singing. For these performances, he would be in a wheelchair, for his injuries hadn’t fully healed. Arnold lived in constant pain for the remainder of his life.
The Rangers decided to pursue a move to Hollywood. Cecil Pollock remained in Texas and was replaced by pianist Elmer Childress. Glenn Sessions soon moved back to Texas, and was replaced by Ralph Dailey. After a short time in California, the Rangers moved to Wichita, Kansas. Dailey remained in California, and Childress did double duty as pianist and baritone vocalist. The Rangers disbanded shortly thereafter, closing the career of one of the most successful and innovative quartets in gospel music history. Reader Comments |
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SG History 101 - Rangers Quartet
 Written: 04/30/2003  Author:  Category:
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When I consider the focus for these monthly "history lessons", I attempt to make it relevant to the current news in the gospel singing world. The subject is the Rangers Quartet. Recently, a very deserving member of the Rangers Quartet,
Marion Snyder, was elected to the SGMA Hall of Fame. Also, Jimmy Jones, another former Ranger, is in the hospital following major surgery. Please keep them both in your prayers as you remember their accomplishments in gospel music.
The Rangers were master showmen. As their reputation began to grow, they began traveling outside of Texas. In keeping with their master showmanship, they decided to ride bicycles from Texas to New York City to perform on "The Major Bowles Amateur Hour". The bicycle riding didn’t last long, as they began to perform in towns throughout the country. The trip to New York was soon forgotten, and the Rangers were drawing large crowds and making an excellent living doing what they loved . . . SINGING!
In the late 1930's, the Rangers moved from WHAS radio in Louisville, Kentucky to WBT radio in Charlotte, North Carolina. Shortly after moving to North Carolina, the Rangers decided to hire their first pianist: new SGMA Hall of Fame member Marion Snyder. He brought excellent piano skills to the group and was a master showman himself.
The Rangers left Charlotte in 1945 and moved to radio station WWVA in Wheeling, West Virginia. Marion Snyder had left the group earlier and was replaced by Charles Friar. Soon thereafter, WBT hired Larry Walker as staff pianist and he began playing for the Rangers. When they moved to Wheeling, Denver again pulled out the guitar and the Rangers added even more western and cowboy songs to their repritore. The Rangers made a short move to Richmond, Virginia where they procured the services of Lee Roy Abernathy as pianist. Lee Roy soon convinced them to move to Atlanta, Georgia. Professor Abernathy’s comments about the Rangers were this: "I decided to hunt the world’s finest quartet, and play the piano for them just to advertise my piano course by mail. I decided upon the Rangers who were singing on WRVA in Richmond, Virginia. I played with them for fifteen months before they fired me . . . "
Hovie didn’t care for the Charlotte area either, so he soon moved back to Atlanta opening the seat on the piano bench to another future Statesman, Doy Ott. When Doy joined the Rangers, he was known as a pianist and not a vocalist. The Rangers
then did a tour of duty at WIBW in Topeka, Kansas. 
Although Vernon then considered disbanding the group, the hospital bills were mounting up. Jimmy Jones joined the group six days after the accident, and the Rangers continued as a four-man group with David Reece playing the piano and singing baritone. Jimmy did a very admirable job in filling the spot of one of the greatest bass singers in gospel music history. That particular group soon moved to Dallas, Texas to work for the Liberty Broadcasting System. The Rangers continued to thrive. At one time the Rangers were heard on more than 450 radio stations from coast to coast.
Personnel changes were few and far between with the Rangers until 1953. Then, David Reece left the group and was replaced by Cecil Pollock. Glenn Sessions joined the group as a sixth member, filling in both at lead and baritone. Jimmy Jones moved to
baritone when Arnold would return to the group, and switch back to bass when Arnold couldn’t make the dates. The last change in 1953 occurred at the same time when Jimmy Jones left to form the Deep South Quartet and Denver Crumpler left to join the Statesmen. Denver was replaced by Gene Moss, a great tenor from the Stamps-Baxter Quartet.
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