Email Newsletter icon, E-mail Newsletter icon, Email List icon, E-mail List icon Join our Email Newsletter

Sunday Edition


01
May
2007
Vocal Technique


Add this entry to Your Favorites | [0] Favorites [10] Comments

image

I wrote last month about the importance of keeping your head on straight when singing. In order to do this you also must keep the rest of the body in alignment. Once you get the body in alignment and the head on straight you are then ready to start learning how to sing. Over the forthcoming months I will be covering BREATHING TECHNIQUE, TONE PLACEMENT, ENUNCIATION, REST, WARMUPS, PRACTICE TECHNIQUE AND OTHER AREAS OF VOCAL TECHNIQUE. THERE IS ALOT MORE TO SINGING THAN JUST STANDING UP AND LETTING IT FLY, IF YOU INTEND TO DO IT VERY LONG IN YOUR LIFE, AND PRESERVE YOUR VOICE. If you intend to sing professiionally, and sing for a long period of your life, you will need to constantly be paying attention to each of these area in your practice sessions and warmup sessions, as well as ON THE STAGE. This goes for those who are just starting, and for those of us who have been doing it awhile. It is very easy to go back to bad habits, if we don't consciously watch how we are singing on a regular basis. I recommend to practice singing a song and your warmups at least once or twice a week in front of a mirror and watch your posture closely to analyze how you feel when you are doing it correctly and to duplicate that feeling in your body when you are singing on stage, if you are already a professional singer. If you are just starting, you will need to practice warmups and a song in front of a mirror every day to watch for your errors and correct them immediately.

I would like to continue to address the area of correct POSTURE. The first thing to approace is HOW YOU STAND. You need to stand upright and not slump when you are singing. That means that your legs, spine, neck and head are all in a straight alignment with each other. It also means that your hips are tucked in, your stomach flat, your chest up and head straight on your body.

You should never lock your legs at the knees. But you should stand with one foot slightly forward and use the other one to mostly bear your body weight, almost as if you were getting ready to use it as a pivot foot in playing basketball. Which foot bears weight and which one becomes the one slightly forward will vary among individuals. Some people will stand with their left foot slightly forward and some will stand with right foot slightly forward. You need to try each way and see which one is most comfortable for you. You should also keep your legs apart about the width of your upper body, which will help in weight distribution and correct posture. The main goal that we have in everything is to keep our bodies in alignment and head straight in order that we may KEEP OUR VOCAL MECHANISM FROM STRAIN.

You should always keep your hips in alignment. If you do it will evenly distribute the weight from your body and cause your lower body to absorb any stress or strain instead of allowing that stress or strain to be displaced into your upper body and neck area to interfere with your vocal mechanisim. To keep your hips in alignment you need to use your legs, as I have described in the previous paragraph, and to make sure that you stand with your spine straight. Do not lean forward or backward , or to either side while singing.

Your NECK should be straight and as I said last month, do not turn it to either side or tilt it backward or forward. It should always FEEL LIKE YOU ARE SLIGHTLY STRETCHING IT FROM THE BACK, AND NEVER FROM THE FRONT.!!! The front of your neck needs to feel relaxed at all times. When it is, your vocal cords then are not restricted and they can adjust to the tensions themselves to make the tone that you are wanting to make, and with proper breath support you can sing clearly and beautifully, while preserving your vocal cords to be able to work effeciently for a longer number of years.

Your CHEST should be raised enough that your lungs have room to expand well. This should NEVER BE DONE BY RAISING YOUR SHOULDERS STRAIGHT UP. Because the same muscles that move your head back and forth come into play when raising your shoulders. They are not the only muscles in action then, but they do come into play enough that they can hinder the working of the vocal cords. So, what do you do? Standing erect is the best remedy for this, DO NOT SLUMP. If you stand erect your chest should almost automatically be in a good position.

SHOULDERS should never be raised and lowered while singing. They should remain in a static position while you are actually singing. Breathing (which I will address later extensively) should be done from the diaphragm and not involve the movement of the shoulders.

HANDS should not be behind your back , or in your pockets. Your ARMS should be at your sides in a relaxed position when singing into a MICROPHONE that you are NOT HOLDING. If you are HOLDING A MICROPHONE, be sure that you keep the shoulders and top part of your body in alignment as much as possible, this can be done by actually doing movement of the microphone with the arm FROM THE ELBOW DOWN. The more movement that you force on your shoulders, the more probability there will be that you will bring muscles into play that will interfere with your vocal cords and their ability to function correctly. Well it seems that it is time for me to stop for this month. I will be addressing the posture issue throughout these columns, because it comes into play with every other technique that I will be writing about. Next month I will address how to sing when you are SITTING IN A CHAIR (CHOIR).

I want to thank those of you who logged on and made comments about last month's column. Your comments were all very special to me. I thank God for each and every one of you who are sharing His message through music. The world needs to hear what you say, and Lord needs you to keep on keeping on. God richly bless all of you.

Bill Baize

Reader Comments

good stuff. When I read about not putting your hand in your pocket I thought of our good friend Bill G.


Commented by On 05/04/2007
Love it. Knowing that all the cervical spine muscles are also connected to the cranial muscles and the front pectorals with the sternocleidomastoid muscles, would you recomend massage in these areas? As a therapist, I could see where making sure all those muscles are relaxed through palpatation of massage could be a good recommendation. Especially for those who sing for long periods at a time. Opinion?


Commented by Cyndi On 05/06/2007
To Cyndi,
I appreciate your comment. However, since I am neither a doctor nor a therapist, I am not qualified to comment on massage or medication. I do however, have the training and knowledge of how muscles can interfere with each other in the singing process.
That is what I base my writing on. I am positive that to achieve the goal of complete relaxation of the vocal mechanism I must have my body in alignment and the proper muscles relaxed and the proper muscles taut.
Thanks so much for your intelligent comment. What do you recomment?
Bill Baize


Commented by On 05/08/2007
Bill,
You'd mentioned the sternocleidomastoid muscle before. The SCM is the massive muscle that runs up the sides of our neck. It flexes and moves the neck when we do an ear to shoulder stretch. There is a Platysma, running under the neck to our chin. It permits movement of lower lips. The buccinator, which is nic named the trumpeter, as it compresses the cheeks when forcefully blowing a trumpet. (it lies deep) The omohyoid depresses the larynx and hyoid bone. It lies behind the SCM.There are quite a few muscles deep in our necks that work the larynx and pharynx, all attached to the hyoid bone. There is a large trapezoid shaped muscle on our upper shoulders that connects to the back of our heads. When that puppy is tense, we get headaches and all sorts of evils. But I listed all these muscles because they definitely affect our heads, necks and larynx/pharynx, which in turn affects our vocal abilities, if they are not relaxed. The diaphram muscle, as you know, is key to vocals. This muscle cannot be massaged. We work it as we breath. But I do recommed abdominal and thoracic massage to support the diaphram. I promote massage of these muscles, for vocalists. When seeking massage for these areas, make sure the massuese is Licensed, as the neck "triangle" holds the arteries that supply blood and 02 to our brains. (Jugular) And the abdominal massage can increase blood pressure, if not done properly. Another note, though, when we read or sit at a computer for lengthy periods of time, the head usually is down, which if habitually done actually shortens the fibers of the front muscles, tightening and limitting their pliability and our posture. This antagonises the Trapesius on the back of our heads and pulls it to over extension. An educated massage therapist could show a client a chart of all these muscles and how they function/disfunction. ((my neck hurts from all this typing, know a good massuese?)) ha ha


Commented by Cyndi On 05/08/2007
To Cyndi and all readers of this column.
I always covet your input. Thanks for your educated,well thought out response to what to recommend. As I stated before I am not qualified to make any prescriptions for medical treatment of any kind. I am fully aware from experience and study of vocal teaching material over the many years that I have been teaching, that we must keep our bodies in alignment and our vocal mechanism relaxed to make the very most of our abilities. That also saves the vocal mechanism from overwork, which makes it last longer. Thanks Cyndi for your input. Anyone else that has input I am always open to what you have to say.
Bill Baize


Commented by On 05/08/2007
Bill,

I sing bass and I would like to learn to go just a little bit lower and I know I could do it if I could figure out what I am doing wrong with my breathing. Is there any advice that you could give me. Thanks.

J.C.


Commented by theunitytriobass On 05/11/2007
To J.C
I will be addressing breathing technique in future columns in a more extensive manner. For now, I would tell you that keeping your vocal mechanism relaxed is extremely important for all Bass singers. Your breathing absolutely has to come from deep inhalation into the lungs, and very strong diaphragm support of your tones. J.D. Sumner, who I used to work with, always said that he had to support his tones as much, if not more, than any of the other singers in the quartet. I recommend that you practice taking a deep breath in front of a mirror without moving your shoulders up
or down, then hold the breath as long as you can, then exhale slowly, pushing lightly on your diaphragm ,for resistance with your fingers. This will help you to develop your diaphragm and help you sense the way the diaphragm is supposed to operate in proper breathing. Do this in front of a mirror and watch yourself closely. At the same time you should make a mental note of how this feels to breath correctly. Then sing something away from the mirror and try to replicate the feelings in your diaphragm that you had when you were watching yourself. In other words, make a mental picture of what you did in the mirror and think of that when you are trying to sing away from the mirror. Then when you are on stage repeat this mental exercise away from the mirror, anytime that you sense that you are having difficulty with your breathing. Hope this helps some.
Bill


Commented by On 05/12/2007
Bill, speaking of the diaphram, I did neglect to mention in the "book" I commented in that in the neck is where the nerve is that innervates, or operates, the diaphram. Christopher Reeves sustained injury to that area, rendering his need for artificial respiration.(It's called the phrenic nerve) Just another tidbit....God Bless


Commented by Cyndi On 05/12/2007
Bill,
How wonderful to get wisdom from the BEST. I will always be greateful for the many services we have shared together throughout the years.

You have always been an inspiration to every audience, artist, pastor and congregation fortunate to be associated with you.

I will never forget you going over these very points with me at NCQ before auditioning with The Blackwood Brothers,so many years ago.

I look forward to hearing The Prophets!

Touching Lives,
Bill


Commented by On 05/15/2007
Deon Unthank's avatar Cyndi, it is wonderful for you to know all of the technical names of nerves, and bones and things, however those big words are completely useless when attempting to teach everyday people how to sing correctly. You do not need to have a medical degree to understand how to sing correctly. Bill is doing a fantastic job of explaining to the everyday person how to sing and to sing correctly.
Keep up the good work, Bill.

Deon Unthank
SoGospelNews.com
My Blog

Some people are like Slinkys… Not really good for anything, but they
still bring a smile to your face when you push them down a flight of stairs - Author Unknown



Commented by On 05/20/2007
Page 1 of 1 Comment Pages

Add Comments

If you are seeing this form you are not a Member or have not logged in. Why not consider becoming a Member?

Membership allows you to have a prepared signature of your choice applied to every comment you make, as well as the ability to choose an avatar to display next to your name to help identify your posts. Members are also given opportunity to vote weekly in our Weekly Chart as well as special Members Only contests, polls and giveaways during the year. If you are already a member, login here, otherwise please register here.

**Note: Forums membership is a seperate membership.

By posting you agree to our Comments Policy

Name:
Email:
Location:
URL:
Comment:
Remember my personal information
Notify me of follow-up comments?
Please enter the word you see in the image below: