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Sunday Edition


01
Apr
2007
Vocal Technique


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Hello to all gospel music fans and artists. Greetings in the lovely name of Jesus!

Since this is my first column about vocal technique, I believe I should tell you a little bit about myself. My name is Bill Baize. I sang tenor for J.D. Sumner and the Stamps Quartet from 1971-1976. I also taught vocal technique at The Stamps Music School during those years. After those years I went into full time evangelistic ministry and kept my interest in Gospel Music by recording and teaching vocal technique at the Stamps Music School, which later became the Blackwood Brothers Music School, and later became the International Music School, and even later became the Christian Music Conference. I taught in all of these schools combined for over a period of 32 years, retiring from that in 2003. I am currently working with the revival of the Prophets Quartet which is comprised of Ed Hill (former Prophets, Statesmen, Stamps, Singing Americans baritone singer); Paul Jackson (Lead); Mike Allen (Bass); and myself (Tenor). Some of you who are in your late 50's and older will remember my time with the Stamps. Many of you younger than that may not know my name at all, that is why I have tried to give this brief bio sketch at the opening of this new column.

I want to thank Deon Unthank for asking me to contribute this column to the Southern Gospel News. I am honored to have been asked to write for Southern Gospel News. I realize that all things said in an instructive manner are subject to scrutiny and possibly can be disagreed with.

The things that I will be writing in this column will be all information that I have studied over the years as well as during my college work prior to my joining the Stamps in 1971. These are things that I have found, through study and trial on the stage and in pulpits around the country, to have worked for me. I am now 67 years old and still singing. The things I will say here will be things that will help preserve your voice so that you can sing longer in your life, and you can be a blessing to more people and win more souls to the kingdom. M y goal is to do whatever I can to equip people to be able to minister, ( and ministry is the soul purpose of this column)., in order that we all can build the Kingdom of God by winning souls through our music.

Thanks for reading my BIO and STATEMENT OF PURPOSE now let’s get down to business.

I will start at the very beginning of what I have found to be important in singing technique.

In this column I want to address ,first, the most rudimentary element of singing to save your voice and, it is your POSTURE. The first question is HOW IMPORTANT IS POSTURE?

The answer is, without CORRECT POSTURE you can injure your voice very easily, especially when you are pushing your limits as many Gospel Singers do. The second question is WHAT DO WE DO ABOUT IT? I am going to list several things that ought to be thought about every time you sing. Once you get these things down, you will find your singing will be much easier to do, and your voice will not wear down as quickly as it has before. Also, when you feel like you are having a hard time singing, if you will check these things mentally immediately and address them immediately through correction of anything you are not doing correctly, you will find by addressing POSTURE first that many times you singing problems will clear up. There are many other things also that can be taking place, which I will be addressing in future columns, but these are the immediate things to check:

1. KEEP YOUR HEAD ON STRAIGHT, DO NOT tilt your head backwards, forwards or turn it to either side while you are singing. The reason for this is that your vocal chords are made up of over 100 tiny muscles, each having its particular function to pull and adjust the chords as your mind sends signals to them. Each of these muscles is very tiny. If you don’t hold your head straight, then you have large muscles on either side of you vocal box which hold your head on which go into action to turn your head or raise or lower it backwards or forwards respectively, and these muscles called STERNOCLEIDOMASTOID muscles are LARGE MUSCLES which when turning your head or raising or lowering your head apply PRESSURE or RESISTENCE to the tiny muscles in your vocal chords, making them work much much more than necessary to make a given tone. That in turn STRAINS YOUR VOICE control mechanism. If this is done over a period of time it will interfere with the power of these tiny muscles and weaken them to where they are not as useful as they once were and you will have VOICE TROUBLE. Therefore, first check the POSITION OF YOU HEAD. Make sure it is not turned to one side or the other, or tilted back or too much forward. Make sure that it is in a normal straightforward position. IF YOU MUST TURN TO SING TO THE AUDIENCE, THEN TURN YOUR ENTIRE BODY. IF YOU WANT TO LIFT YOUR EYES TOWARD HEAVEN, DO IT WHEN YOU ARE NOT ACTUALLY SINGING, DO IT WHILE SOMEONE ELSE HAS THE LEAD ON THE SONG OR AFTER YOU FINISH SINGING. MAINTAINING EYE CONTACT WITH THE AUDIENCE USUALLY PUTS YOUR HEAD IN GOOD POSITION, ESPECIALLY IF YOU ARE LOOKING ABOUT 1/3 OF THE WAY BACK IN THE AUDIENCE.

As you can see that this is getting lengthy. I will have more next month on POSTURE.

May God richly bless each of you.

Bill Baize

Reader Comments

Thank yo for the information on posture. I am a huge fan of Bill Baize. I remember hearing him sing, "I Find no Fault in Him," and when he sang "He looked beyone my faults and saw My Need," I couldn't believe the notes he hit on the ending. I know that knowing how had a lot to do with it. In my opinion, one of the best tenors ever.
peace & grace,
preacherp

peace & grace,
preacherp



Commented by On 04/04/2007
Bill,
I am glad that you are writing this column. I have been a huge fan of the Stamps for Years. I am a pastor who loves Southern Gospel Music. I love to hear your do You'll Never Walk Alone. I actully have some video shot at one of the Stamps Reunions in the 1980's. I agree with Ms. Mary that you are the best tenor to ever sing with the Stamps. I am looking forward to hearing the Prophets. I look forward to reading your articles wich will be good for singers and preachers.
In Christ,
David


Commented by On 04/05/2007
I know Bill personally. I taught with him at Christian Music Conference for many years. I have more respect for his vocal knowledge than anyone else alive.

THIS SHOULD BE REQUIRED READING for every gospel singer. This should be the most read article on this site......somehow I doubt it will be because most SG singers think they know it all. Bill is a legend and more than that.....he is worthy of the title.


Commented by Mark Forester On 04/09/2007
I was a student of Bill's at CMC for two years I attended. Thanks Bill for your good instruction and support. I am excited about the Prophets Qt coming back.

God Bless you Bill


Commented by On 04/10/2007
CliffCerce's avatar Bill,

I met you in Springfield, MO when you used to come sing each year at Billy Burris' church, where we used to attend. I think we were at al of your appearances there, as that was before we went back on the road with our own group.

They were sensational concerts - both artistically and spiiritually. I really appreciate the way you honor God as you minister for Him, and I will look forward to these articles each month.

Cliff Cerce
The Cerces

Cliff Cerce
The Cerces, PO Box 8525, Springfield, MO 65801
417-863-8440
http://www.thecerces.com



Commented by CliffCerce On 04/15/2007
Bill Baize . . . you still ROCK!!!!!


Commented by Michael Sykes On 04/16/2007
Bill,
I'm glad to see you're still singing. Looks like time took away your hair as it did mine! You have always been one of my heroes. I can remember doing concerts with you and the Stamps when I was singing tenor with The Dixie Melody Boys back in the early 70's. As for me, yep, I'm still singing with my own quartet, Abundant Grace.
As yourself, I was fortunate to have the priveledge of professional training for 5 years. Posture, breathing, vowels and enunciation have to work in harmony (no pun intended).
The one thing that bothers me is how many young tenors are trying to sing far too high for their natural range. Seems as though many songs these days are written in the key of a dog whistle!
God Bless you and The Prophets. London and J.D. would be mighty proud of you!


Commented by On 04/25/2007
Bill, I am just an ameture but I do sing in the choir at our church. I love music and some will say I have a talent for harmony. I look forward to gleaning all the tips I can from your article. I so desperately wanted to attend a recent Vocal Artistry Seminar this past weekend but was unable to attend. I want to do my best for Him, but I also realise this form of worship isn't all about talent. (those who stand next to me in the loft may differ in my opinion, though!!) I rather think that to the Ancient of Days, we all may sound like preschoolers when we sing. I just want to make Him happy. Thank you.

cool smile



Commented by Cyndi On 04/26/2007
If Simon Cowell wants to hear a great version of "You'll Never Walk Alone, he should pick up The Stamps live at Murray State University. Anyone that has heard Bill Baize sing this song will most certainly agree.


Commented by On 04/27/2007
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