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Compassion International

Sunday Edition


01
Oct
2005
The Southern Gospel Music Nursery


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This month’s article was inspired by a tree house. Yep...you heard me right…a tree house. You see, my 8-year-old grandson, Garrett, and I have an ongoing project out on the Bruno ranch. I say ongoing because my goal is to have it completed before he leaves for college.

Last week we were working on the tree house between breaks, (you just can’t work on a tree house without stopping to throw a few balls or shooting a few baskets), and I noticed that Garrett was imitating everything I did. If I used my level I would hear, “ Poppa let me try the level”. If I used my drill… “Poppa let me try the drill”. If I put in a screw… “Poppa let me put in the next one”. He’s “all boy” and wants to do everything I do, which is quite normal and is also how he learns.

The same applies for little girls. The wedding chapel, in which our church is worshipping, until our new building is completed in November, has a little room just for little girls. The room is painted like a dollhouse and has little tables with tea sets. Little girls can use the room for birthday parties and act like big girls.

Children’s modeling what they see is how they grow into adults. They don’t have inner instructions to go by and they must take from the world what they need to survive in society.

If you can model to your children what you believe they need in the world, the odds are they will follow your lead. If you merely offer lip service and don’t do-as-you-say, your actions will speak volumes more than your words.

The way this applies to Southern Gospel Music is really quite simple. We have many, many artists that are just starting out. To me, they are just like children, innocent, trusting, vulnerable and impressionable.

If any of us treated our children the way our industry treats young artists, we would be in prison for child abuse.

I believe one of the main reasons our industry is in such dire straits is that we have failed miserably as role models. How can we expect our youngsters to grow into seasoned professionals without teaching them the correct way to do it? They see a “gobbledygook” of nonsense that we mistakenly call a music industry and say, “Oh, that’s how you do it…here, let me try that”.

The biggest threat to our industry right now is the totally absurd area of radio promotion. It is a cancer that has overtaken our industry. There are jackleg radio promoters in every area of our country preying on our youngsters. Unless they are stopped in their tracks, we are doomed to failure.

Our youngsters are being taught that this is the pathway to success. They put a group together, find a charlatan that will take their money, make a cheap recording, put it on a compilation and send it to radio. Kind of like me telling Garrett to take my circular saw and cut some wood….IDIOTIC!!!

I’m telling you we can put a stop to this in one felled swoop by reducing our chart spots. I’d like to reduce it to a top twenty, but would be happy to settle for a top forty.

The next step is to reduce the charting stations to include only those stations that are getting the job done correctly. In reality, we only have about 15 or 20 really good radio stations.

This may seem like a drastic step, but in reality it is the same as me telling Garrett that he can’t use my circular saw until he is older and bigger and has learned the correct way to use it.

Competing for a spot on this chart would wake up many artists in our industry, and would make us better for it; after all, it’s about raising the bar and striving for excellence.

The sad thing is that the few people that could actually affect this change are more interested in advertising dollars than the future of Southern Gospel Music.

Another area, which causes me great concern, is the musical ignorance of many of our artists. We are riding on a merry-go-round of musical mediocrity. Once again we have failed to provide suitable role models for our youngsters and we are paying the price. Many of our so-called professional artists don’t have a clue about music. While I will grant you that there are other genres of music that have artists that are musically challenged, SGM holds the world record for having the most artists that don’t know “diddily- squat” about music.

In an industry that is centered on music, there are only a handful of artists that actually know what they are doing. What kind of example is this to our youngsters? Most of what they see are artists that scream and growl, and sing incorrectly, and off pitch and out of time.

In my view it is time to face the music, literally, and stop rewarding mediocrity. We need to teach our youngsters, by example, that SGM is the greatest music in the world and we have a responsibility and duty to perform it correctly.

There were about 1000 booths at this year’s NQC, yet less than 10% of that was actually represented on the main stage. What that tells me is that the majority of the artists in our industry are the new kids.

Now, we can continue down this road of “phony-baloney-good-time-charley”, or we can put our heads and hearts together and start teaching these kids how to do this the right way. Either way we will reap the reward.

To me, the solution is as obvious as the nose on my face. Every year NQC lasts for 6 days. Each day at 10:00 have a class, free of charge, specifically dedicated to teaching music. I know I would be glad to teach this class, and I know others who are eminently qualified to do so. Can you imagine the positive effect this would have for our industry over the next several years?

Leadership means leading. If our industry leaders weren’t so concerned about the almighty dollar and were more concerned about our future, they could think of these things also.

It’s time for them to get their noses out of their wallets so they can see that we have an industry that could be successful if we start teaching our new kids instead of exploiting them.

I attended quite a few industry meetings while at NQC. I found them all to be similar, industry people talking about all our problems and doing nothing.

I was asked to speak, and was surprised to find that most everyone agreed with me. So I plan to continue pressing the issue this next year and voicing my opinion. I urge you to join me in defending these principals and sharing with me your thoughts as to how we can begin implementing some of these ideas.

The key is dialogue. Nothing will ever be accomplished until we can get enough people talking about it and sharing ideas. Eventually the powers that be will have to acknowledge the problems we face and take steps to correct them.

I am especially interested in your comments this month.

God Bless You,

Nick Bruno
http://www.songgardernmusic.com
http://www.nickbruno.com

Reader Comments

Great stuff, as always.


Commented by Donny Henderson On 10/03/2005
We just can't expect to have good southern gospel music if we don't know anything about music. And just because some rock or country star has found success without knowing music does not mean the we should expect to do the same. Also, how can we expect the established artists to lead as adults if they do not know the right way, either.

If we live in the Spirit, let us also walk in the Spirit

- Galatians 5:25

My Blog



Commented by Keith Prater On 10/03/2005
Nick, I guess that before I can comment, I need to make sure of the points....

If you are saying that we need to have classes to teach SINGING, I agree. Tone, enunciation, etc. are all vitally important to creating a "professional" sound. I couldn't agree more.

If you are saying that we need to learn "music", like how to read music so we can play a piano or guitar, I disagree. Too confining. No creativity allowed.

I remember hearing that the Speers, back in the day, always wrote their arrangements down, note by note, before they went in the studio, but.... was that overkill? Not the tone and notes and enunciation, or even the arrangements; That was what made them the Speers! But NEEDING to know the do-re-mi's by sight?

Classes that I feel are necessary are what you mainly talk about..... Don't get on a comp disc to get played on the radio so you can get appointments 101" "Don't assume that you are already the best at scheduling your group 102" etc. This is what the younger upcoming groups need to know.


Commented by John Snodgrass On 10/03/2005
It really doesn't matter if I agree or not with your comments, they are your opinions drawn from your experience in SGM, and I respect that. But one comment you made in the article stirred me a little. You said, and I quote, "..there were about 1000 booths at this year's NQC, yet less than 10% of that was actually represented on the main stage." My question is WHY? Being one of the 900 not on main stage I was posed this question by many fans of Southern Gospel Music. Why are there a select few who sing multiple times, some as many as three, during the week of the convention when there are many groups who are just as good and have longevity and have shown their ability to be equally affective as the BIG BOYS? I am afraid that this business of SG has become very politically motivated. NQC ought to have a goal to help introduce some of the newer, promising, talent to the Southern Gospel Music world. Instead, groups such as the Florida Boys, Inspirations, Kingsmen, Hoppers, etc. sing at least 3 times during the week. Yes they have earned the respect of all of us. They have wonderful ministries and are great people who love the Lord. Many of them are friends of mine. But this doesn't change the fact that there does need to be some serious changing of the way it has always been done. So my point is this Nick, I don't hold a lot of stock in that particular comment in your article. You are right that probably at he end of the day, the great majority of artists displaying in the East Wing still would not be able to sing on the main stage but I do not think it is as lopsided as you would have us to believe. There are alot of very good groups out there who are talented and have a tremendous ministry going on and it is a shame that politics, knowing the right people, playing the game, etc. determines whether or not they get heard. For those of you who might think I am implying that the group I sing with should be one of those groups asked to sing on main stage, nothing could be further from the truth. I would just like to see some open doors for groups who are on the fringe.


Commented by On 10/04/2005
Southern Gospel limits itself because there is a cultural of prejudice against learning music. But the learning of music is the very foundation of what we are doing (except for the gospel itself, of course). None of the rest of it matters if the foundation is not built properly. I have found that learning music is not confining at all. It is liberating. I am able to create new and exciting sounds because I know the rules and know how to break them. If you want to move from the fringes, put away this prejudice against leaning music. Only then you will make it to the main stage.

If we live in the Spirit, let us also walk in the Spirit

- Galatians 5:25

My Blog



Commented by Keith Prater On 10/04/2005
I appreciate Mr. Bruno's insight and forthright talk.

Unfortunately, the SGM world over the years has tried to emulate other genres with charts, promotion, press, media, ect. And while it must be run like a buisness in order to survive efficiently, it has become as other genres (in a much smaller scale) -- which is perfect breeding ground for the "sharks".

In other words, it depends on the money.
SGM is run a lot like the independent Country market; where you can get press, promotion, and radio for a price. It has little to do with talent.

I don't have to mention names, but you can just look at the artist roster of certain 'labels', and wonder how in the world these 'artists' got where they are! These little label operations also have their own charts and periodicals -- which is just another channel to funnel funds from the unaware.
Unfortunately, those that are funding these little label operations get very little return on their investment, while Joe Producer buys a new bass boat from his profits.

I would say to any aspiring group or artist: what you DON"T know in this buisness WILL hurt you. Make sure you sow your seed into good ground.
I appreciate guys like Mr. Bruno who seek to develop artists, and provide guidance and info for the newcomers.

I think it's high time some of these sqeaky little producer guys get exposed. I am sure that the music itself will be affected -- because a legitimate producer screens the talent, and doesn't take just anyone with a large checking account.


Commented by Kevin Wicker On 10/05/2005
Mr. Wicker,

I do believe you know nothing about which you speak but you certainly like the sound of your own voice.

"These little label operations also have their own charts and periodicals -- which is just another channel to funnel funds from the unaware."

Please, where do you come up with this junk? What little labe operations own their own charts and periodicals?

Your accusations about an industry you are not involved in are really outrageous.


Commented by On 10/05/2005
Mr. Joe White:

SGM is a buisness, as well as a ministry -- like TBN, Gaither, or anyone else on the mainstream.

And yes, it is political -- just like any other buisness. The question to ask yourself is: are you willing to get in the game and establish good repore with the "big boys"? You may think that your group is as good or better than the best. But that's not for you to conclude.

Get in the flow, know how and who, and create your own identity. Establish respect, continue to work hard refining your sound, cultivate your audience -- and before long, you'll be on the main stage with a top record yourself.


Commented by Kevin Wicker On 10/05/2005
Mr. Mooney:

I have been involved in the Nashville music community for 25 years, as a legitimate professional. I have worked with some of the best in the Gospel, Pop, and Country music world. My credentials will do all my talking.

You talk as one who doesn't know the buisness very well, so I refrain from an argument.

I make no accusations. I'm only stating facts.


Commented by Kevin Wicker On 10/05/2005
So Mr. Mooney, what label do YOU run?


Commented by Kevin Wicker On 10/05/2005
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