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Sunday Edition


01
Oct
2002
The Vocal Coach


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Marti LedfordWe are going to continue talking about vocal problems and how we can correct them. This month we will be discussing vibrato and singing under stress. So let's get to it.

What is vibrato? It is the shaking sound you hear in a singer's voice.

There are several different kinds of vibrato. Sometimes you will hear very fast or rapid vibrato that almost makes the voice sound like it quivers or has a tremolo effect. Then there is the very slow and uneven vibrato that seems to lope along. You want to be able to control the amount of vibrato in your singing. When singing in a group where the vibrato of each singer is very different it makes the vocals sound messy and the blend or harmony does not come together. That is why family groups have a better blend, the vibrato will usually match more evenly because their voices are very much the same.

What makes an irregular vibrato? It is poor breath support and a weak soft palate. The tones must be supported by an even flow of controlled air.

Doing the exercises that was talked about last month, to strengthen the abdominal muscles, will go a long way in correcting a vibrato problem. The exercises in last months article will help strengthen the soft palate, too.
The best way to retrain yourself is to work at singing straight tones until there is no vibrato in your voice then slowly add the amount of vibrato that you want back into your singing. Don't get discouraged, you can do it.

Something that is rarely considered a vocal barrier is emotional problems and stress. When you are under a lot of stress the vocal cords tend to stiffen and they will not function the way they would under normal conditions. The muscles in the body must be relaxed to sing properly and they usually become tight and rigid also when under stress. You may continue to sing but you do not want to make excessive demands on your voice. Sing more in the middle range where the voice can coast along without straining. When the stress is reduced your voice will return to normal. Seek counseling if you can't seem to get past the problem by yourself. Keeping your body under this tension for long periods could lead to vocal health problems as well as physical ones.

The past few months we have concentrated on the technical side of singing and we have covered a lot of information. Next month we will begin talking about vowel modifications and this is lessons that you do not want to miss. It will change everything about your singing and correct a lot of problems for you. So, until next time, read James 1:5 and ask God for his wisdom and understanding so that you can grasp the knowledge that God has for you in each of these articles. And as always, keep singing His Praise!

Marti Ledford

Reader Comments

Is there any way I can get more help. I used to sing a long time ago. I was in choir at my school and sang soprano. Now am back in church and singing with a group. It seems I struggle just trying to sing anything other than lead. How can I get my range back? I have a loud and strong voice, but I haven't used it in so long. Would you help me please?!


Commented by On 10/27/2002
Nadine,

When we sing we are using muscles and when we don't use them the become weak and makes it very difficult at first to sing. Start the exercises and and begin practicing more. It will come back to you in time and patience.

Marti


Commented by On 11/20/2002
head tones??????? good or bad??


Commented by On 01/04/2003
im a boy ,13 i got a very high pitch voice and i have this part of my voice that go's so high that i start to hit the high high keys but i dont no how to control it?(keep the note longer or go higher) can u give me some advised on what to do to control it. and how to blending my voice with my higher register voice.


Commented by On 11/24/2004
Another good thing to remember (and Wally Fowler taught me this): when you are in a blending situation, listen closely to the other parts. Find someone in the mix that you blend with the most, and mimick his/her tone and diction.
And here's a neat studio trick (one that Gary S. Paxton taught me): When in a delicate situation that requires sensitive, close knit harmony -- everyone hold hands. You will be more in tune with the other's breathing, texture, attack and release. (It's especially useful in a "stacking" situation -- where you go back and double the parts).


Commented by Kevin Wicker / Progress Music Nashville On 12/30/2004
Hello Marti,
I just ran across your articles and was interested in the exercises you wrote about to control the vibrato and strengthen the voice. Ths article was 10/01/2002. You said in this article the exercises were talked aboaut in the article the month before. When I clicked on 'next' to go to what would have been 9/2002 the next one was 8/31/2002 and did not mention exercises only that they would be talked about. I guess the 9/2002 is not available. Could you send me a copy of the exercises? My vibrato will be even then almost non existent and strained and tight and not able to flow.
Thank you,
Janell Coker
Boerne, Texas


Commented by On 04/16/2005
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